The Rock – Camera Movement sequence analysis – Pan &
Track
NAMES: Nicola Date: 25.10.12
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1.
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There is a mid close up shot of the people and we see the
action at the background move past behind them, this stationary shot makes us
feel part of the action, therefore drawing us closer. The audience can also
focuses on dialogue. We are also permitted to see the characters facial
expressions and therefor read emotion. The camera is placed low down and
produces a low angle shot which makes us see the action of both the car and
the people running behind it. The action moves away from the camera position
(]and the camera does not follow the action).
The low angle creates a restricted view of the scenario,
creating tension.
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2.
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The camera is a low angle of the man to make him appear
like he is superior, high status and important to the film. The camera is
with the shot of the people to make us feel like we are part of the action,
connecting us with the film. The
audience feels a sense of disorientation because we don’t know what’s going
on.
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3.
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We are unable to get an overview of the action because it
still uses a low angle, creating an increasing sense of tension. The camera
is right in the action which attaches us to the character as we follow their
action. We see a lot of his foot when
he’s running which creates an increasing sense of pace and action, especially
when the car speeds off.
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4.
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Firstly, we get an overview of the action with a high angle
camera, making the action clearer. The camera rapidly cuts between different
angles and positions, making action appear speedier. There is also parallel
editing, where there is one shot to another with different content in the
frame. The camera follows closely
behind the car, creating an unrealistic view point and we follow more of the
action.
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5.
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The track of the car gives us an intimate feel as we
follow the car, but we also get a sense of speed. The camera cuts from the action coming
towards us with a straight cut to the action going away from us. This scene also empathises the feeling of
fast paced action, creating danger.
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6.
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The audience see the action from one view point as we
camera inside the car, creating more intimacy. The camera is an extreme close of his
facial expressions, allowing us to clearly see his facial expressions. The audience are also able to get a better
view of where action is moving to next.
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7.
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There is frequent cutting ,which heightens the sense of
action, danger and tension. The camera
also drops from a high level a mid level where the action is taking place.
The camera is placed where no person would realistically be, as we see the
action again from a low angle when the car comes down, making it appear jumpy
and therefore empathises danger.
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8.
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The camera movement appears extremely wobbly and almost
out of focus when we zoom in on his face, showing speed. A lot of zooming in
is included to create a dynamic view of his facial expressions.
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